Mark Eadie, Winnipeg photographer, seated in window light at home
Meet Mark

Hi, I’m Mark.

I’ve been photographing people in Winnipeg for more than a decade — weddings, families, and the quiet weeks before a baby arrives.

What I care about hasn’t changed in all that time. I’m not interested in handing you a set of photographs that look like everyone else’s. I want the ones you’ll still stop on in ten years — the look between you, the way your kid actually laughs, the detail nobody else in the room noticed.

It started with a backpack. I’ve been travelling since I was nineteen — forty-three countries so far — and there was always a camera in my hand. Back in the early days of social media I’d post the images on Facebook, and people started asking. Could I photograph their dog. Their car. Their house. Then their wedding. By 2014 it had turned into a career.

These days I photograph a deliberately small number of weddings each year, alongside maternity and family sessions at our studio in the Exchange District. Smaller numbers mean I’m not photographing your day on autopilot.

— Mark

I’m not in this for the light or the images. I’m in it because a camera is the best excuse I’ve ever found to get to know someone.

I know how that sounds. But I travelled the world on my own for years, and walking up to a stranger to ask whether they’d like to be your friend doesn’t tend to work. A camera in your hand does. It’s the best way in I’ve ever found, and it’s still what every session is really about.

Mark Eadie photographing tethered in the Exchange District studio, laughing behind the camera
What It’s Like

You don’t have to know what to do with your hands.

Almost everyone tells me they’re awkward in front of a camera. Almost everyone is wrong — they’ve just never been directed properly.

I direct enough that you always know where to stand, and then I stop. That gap is where the real photographs happen. Most of a session is banter, and that’s deliberate — people don’t look like themselves until they’ve forgotten to perform.

I spent years photographing castles in Scotland and whitewashed rooftops across the Mediterranean. Beautiful, all of it, and none of it did anything for me. Put a person in the frame and I’ll happily work all day.

Mark Eadie holding his newborn twins with his toddler daughter around his shoulders
At Home

I’m photographing my own chapter too.

My wife Anna and I have three young kids, including twins. So when I say I know what a family session with small children actually looks like — the bribery, the one who won’t sit still, the ten seconds where everyone happens to look at once — I’m not guessing.

It changed how I work. I stopped expecting kids to behave and started building sessions around the fact that they won’t. The photographs got considerably better.

It’s also why I take maternity seriously. I’ve watched those weeks pass twice now, and they don’t come back.

Mark Eadie holding his laughing toddler daughter upside down outdoors
Mark Eadie and his wife Anna at home, photographed on their leather couch
2014

Photographing
Full Time Since

100+

Weddings
Photographed

5.0★

Over 100
Google Reviews

100%

Hand-Retouched By A
Professional Retoucher

The private heritage studio at 68 Albert St, with fifteen-foot ceilings and twelve-foot windows
The Studio

A heritage loft on Albert Street.

Maternity and family sessions are photographed at our private studio at 68 Albert St, in the Exchange District — fifteen-foot ceilings, twelve-foot windows, and closed to everyone but you for the length of your session.

Having our own space changed what I can offer. Nobody is walking past, the weather never moves your date, and I can build a second lighting setup while you change without anyone waiting around.

Weddings taught me daylight, and daylight is the foundation every photographer builds on. But learning to build light — to shape it, and the shadow beside it, from nothing — is where the work got genuinely exciting again. That’s what the studio is for.

For weddings, I come to you — though plenty of couples add studio portraits to the same collection.

How I Work

Three things I won’t compromise on.

i.

I Photograph Every Session Myself

When you book me, you get me. Not an associate, not whoever was available that weekend. The person you meet on the call is the person behind the camera on the day.

ii.

Every Image Retouched By Hand

Every photograph you take home passes through a dedicated retoucher on our team — skin, stray hairs, creased fabric, distractions in the frame. Refined, never altered. It’s the standard, not an upgrade.

iii.

Fewer Clients, More Attention

I take a maximum of ten weddings a year. It keeps the work personal and the attention undivided, and it does mean dates go early.

He made two awkward people feel so comfortable in front of the camera and took honestly the most beautiful pictures to capture our relationship and story. It was everything we ever wanted and more!
Sydney S. · Engagement & Wedding Read More Reviews
Mark and Anna photographing their twins' four-month milestone at home

Let’s talk about what you’re planning.

Wedding, maternity or family — tell me what you have in mind and we’ll go from there.

Contact Mark